Saturday, March 23, 2019

Shakespeare in the Sound and the Fury Essay -- Sound and the Fury Essa

Shakespeare in the Sound and the Fury The Tomorrow soliloquy in Act V, scene v of the Shakespearean tragedy Macbeth provides aboriginal theme and imagery for The Sound and the Fury. Faulkner may or may non agree with this bleak, nihilistic picture show of purport, but he does examine the characterization extensively. Tomorrow, and tomorrow, and tomorrow Creeps in this petty pace from daytime to day To the last syllable of recorded time And whole our yesterdays have lighted fools The mode to dusty death. Out, out brief candle Lifes but a walk of life shadow, a poor player, That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of salutary and fury, Signifying nothing (Shakespeare 177-8). The handing over suggests man is mortal while time is immortal. Time maintains its pace individually of mans actions it creeps through man-made institutions eventually leading to mans death. However, time maintains immobi lity towards man. Life spans are infinitesimal in comparison to the smallest division of time. In reality, the significance man ascribes to human existence is false life has no significance. Life is merely a brief episode of strutting and fretting, full of sound and fury, . . . signifying nothing. Every section of the Sound and the Fury relates to Macbeths speech. Each narrator presents life as full of sound and fury, represented in futile actions and dialogue. Benjy, Quentin, Jason, and Dilsey all emit constant wor... ... Faulkners views on life, a supposed contrast to Macbeths. later on hundreds of pages of examining Shakespeares passage, Faulkner concludes his work with an uplifting transcendence of nihilism. Faulkner leaves the reader with hope, the signification of meaning save to come. Works Cited Commentary. The Sound and the Fury. Olemiss Resources http//www.mcsr.olemiss.edu/egjbp/faulkner/n-sf.html Faulkner, William. The Sound and the Fury. New York Vintage Books, 1984. Harold, Brent. The Volume and Limitations of Faulkners fictitious Method. modern Literary Criticism. Vol. 11, 1975. Irwin, John T. A Speculative Reading of Faulkner Contemporary Literary Criticism, Vol. 14, 1975. Shakespeare, William. Macbeth. New York Washington Square Press, 1992.

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